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April 2020 M T W T F S S 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 Categories
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ICP Library
- A selection from my collection of ephemera today, this was takeaway newsprint from the 2012 installation at Marlbor… twitter.com/i/web/status/1…just observed 16 hours ago
- A rock of the moon, just as the moon and rocks, has a strong physical presence. Self-published by Hiroshi Takizawa… twitter.com/i/web/status/1…just observed 1 day ago
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- Please enjoy our new friends, the bird library 📚 🦅 birdlibrary.orgjust observed 1 day ago
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- Tintypes for Coloring monstersandmadonnas.blog/2020/03/28/tin…just observed 3 days ago
- Still photograph from a sequence taken by Robert Mapplethorpe when shooting the film "Still Moving" in 1978. Access… twitter.com/i/web/status/1…just observed 4 days ago
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- The library would love for you to share your shelves with us! #ICPshareyourshelves Today I selected a series from m… twitter.com/i/web/status/1…just observed 1 week ago
- It's #JapanesePhotobookMonday! Rinko Kawauchi’s photographs illustrate the experience of looking. Looking, however… twitter.com/i/web/status/1…just observed 1 week ago
- Welcome photo_void! This week, VOID will be doing a takeover of our Instagram account, sharing photobooks from thei… twitter.com/i/web/status/1…just observed 2 weeks ago
- Asako Narahashi’s half awake and half asleep in the water is a series of images made from 2001 until 2004, where th… twitter.com/i/web/status/1…just observed 3 weeks ago
- Different ICP, but we are open to the public! The new Icp library is open, with out special collections room open 1… twitter.com/i/web/status/1…just observed 3 weeks ago
- It's #JapanesePhotobookMonday! In Simmon: A Private Landscape, published in 2012, Eikoh Hosoe replicates the phot… twitter.com/i/web/status/1…just observed 4 weeks ago
- @writestatements Let’s ask David Lynch 😹just observed 8 months ago
- Known for his funny photographic portraits of his loyal Weimaraners and his work with other mediums (watercolor, sk… twitter.com/i/web/status/1…just observed 8 months ago
- Predating the pet Instagram or the internet's general hub of cat imagery, Ernie: A Photographer's Memoir by Tony Me… twitter.com/i/web/status/1…just observed 8 months ago
- It was no longer the case that Fukase saw himself reflected in the ravens; he had become a raven. Tomo Kosuga (p. 1… twitter.com/i/web/status/1…just observed 9 months ago
Author Archives: Bernard Yenelouis
Notes on Queering the Collection(s) @ the ICP Library
from the publisher “Throughout 2018, the ICP Library collectively produced more than six in-house library installations and events considering representation in libraries at large. The success of this initiative resulted in an increase of the ICP Library’s holdings of queer, … Continue reading
Posted in archival collections, artists' books, Book events, Christopher Clary, collections, Cornell Capa Papers, global village, ICP alumni, ICP Archives, ICP Library, International, Library alumni, memory, New Acquisitions, nostalgia, parataxis, publishing, queer, self-publishing, Unpacking the collection, vernacular photography, Vertical files, Visual Research, web browsing, Window Exhibit
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Photo books, exhibitions & related events 2018 edition, part 1 – Peter Hujar, Oliver Wasow
Peter Hujar (1934-1987) The exhibition and catalog Peter Hujar – Speed of Life at the Morgan Library & Museum (January 26 – May 20, 2018) is an auspicious way to begin a review of the past year. The acquisition of … Continue reading
Posted in artists' books, caricature, collections, color photography, Exhibitions, gelatin silver print, global village, Honoré Daumier, inkjet print, internet art, Marcel Duchamp, memory, Morgan Library & Museum, nostalgia, Oliver Wasow, parataxis, Peter Hujar, portraits, publishing, Saint Lucy Books, self-publishing, vernacular photography, Visual Research, web browsing
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Temporary Autonomous Installations in All Used Up: Dismantling the Gaze x Queering the Collection, October 17, 2018 at ICP Museum
To articulate what is past does not mean to recognize “how it really was.” It means to take control of a memory, as it flashes in a moment of danger. For historical materialism it is a question of holding … Continue reading
Posted in Alexander Iolas, archival collections, Cam4, Christopher Clary, collections, critical theory, Events, International, parataxis, queer, Robert Mapplethorpe, Unpacking the collection, vernacular photography, video, Visual Research, Walter Benjamin, William E. Jones
Tagged photography
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OMG, Bring a Book! The Library Goes to Critical Jamming
Yours truly and ICP Head Librarian and Archivist Matthew Carson participated in the recent panel From X-Files to The Matrix: Reality Disintegrated, held on Sunday, March 4 at the ICP Museum. In the words of organizer Claudine Boeglin: The 90s. … Continue reading
Posted in archival collections, artists' books, Book events, collections, color photography, critical theory, deconstruction, ICP Library, memory, nostalgia, parataxis, publishing, queer, self-publishing, Slavoj Zizek, Unpacking the collection, Visual Research, Walter Benjamin
Tagged advertising, audio, education, photography, photojournalism
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Stephen Grebinski, Keyed to Masculine Comfort, 2015
Faced with the excess and diversity (where to start?) of publications in Queering the Collection, currently installed in the ICP Library, I was happy to find (& just by judging a book by its cover) a familiar name: Stephen Grebinski. … Continue reading
“I am in Paris.”
Following conversations with my colleagues at the ICP Library about an event related to our current photobook display Je est un autre: The Vernacular in Photobooks, I decided to present selections from a small collection of films stills I accumulated … Continue reading
Photography is Magic
Who was Irving Desfor? Unknown to us up until now, his book/photo album Great Magicians In Great Moments came to the ICP Library when the personal library of our founder Cornell Capa was folded into the ICP collection after Capa’s … Continue reading
