Category Archives: Unpacking the collection

Some Photobooks I liked in 2018 (Part Two)

    Aleksey Kondratyev’s Ice Fishers (London: Loose Joints, 2018) is a slim and quiet edition of only fifty two pages with a one page insert of colophon and text. The images are placed on such a perfect whiteness that it … Continue reading

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Some Photobooks I liked in 2018 (Part One)

I haven’t produced one of these types of list for a few years now and this year. . . This year it just seemed right to do so again and so I have selected some of my personal favourites for … Continue reading

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Temporary Autonomous Installations in All Used Up: Dismantling the Gaze x Queering the Collection, October 17, 2018 at ICP Museum

  To articulate what is past does not mean to recognize “how it really was.” It means to take control of a memory, as it flashes in a moment of danger. For historical materialism it is a question of holding … Continue reading

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OMG, Bring a Book! The Library Goes to Critical Jamming

Yours truly and ICP Head Librarian and Archivist Matthew Carson participated in the recent panel From X-Files to The Matrix: Reality Disintegrated, held on Sunday, March 4 at the ICP Museum. In the words of organizer Claudine Boeglin: The 90s. … Continue reading

Posted in archival collections, artists' books, Book events, collections, color photography, critical theory, deconstruction, ICP Library, memory, nostalgia, parataxis, publishing, queer, self-publishing, Slavoj Zizek, Unpacking the collection, Visual Research, Walter Benjamin | Tagged , , , , | Leave a comment

100th Anniversary of Cornell Capa

Today marks the 100th birthday of ICP’s founder, Cornell Capa. Many of the books that built the foundation of the ICP library came from the man himself. Many are inscribed with notes, and stickers from his personal library. Even Edie … Continue reading

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Stephen Grebinski, Keyed to Masculine Comfort, 2015

Faced with the excess and diversity (where to start?) of publications in Queering the Collection, currently installed in the ICP Library, I was happy to find (& just by judging a book by its cover) a familiar name: Stephen Grebinski. … Continue reading

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“I am in Paris.”

Following conversations with my colleagues at the ICP Library  about an event related to our current photobook display Je est un autre: The Vernacular in Photobooks, I decided to present selections from a small collection of films stills I accumulated … Continue reading

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