Category Archives: Christopher Clary

Temporary Autonomous Installations in All Used Up: Dismantling the Gaze x Queering the Collection, October 17, 2018 at ICP Museum

  To articulate what is past does not mean to recognize “how it really was.” It means to take control of a memory, as it flashes in a moment of danger. For historical materialism it is a question of holding … Continue reading

Posted in Alexander Iolas, archival collections, Cam4, Christopher Clary, collections, critical theory, Events, International, parataxis, queer, Robert Mapplethorpe, Unpacking the collection, vernacular photography, video, Visual Research, Walter Benjamin, William E. Jones | Tagged | Leave a comment