"Home is where the heart is" "Home is where the hatred is" The notion of Home is complicated. Today we are featuring some of our favorite books that examine our relationship to "home." Longing to be back, the home we all share, finding a new home, returning home, dysfunctional homes, and love. AMC² Issue 5:… Continue reading Resource Guide: Home
Category: artists’ books
Instagram takeover: VOID
Publisher Highlight: VOID In an effort to collaborate with some of the publishers and artists in the ICP library’s collection, we started an Instagram takeover series to highlight exciting works that represent the vanguard in photobooks. Our first takeover was by the Greece-based publisher VOID, a non-profit organization focused on alternative publishing, exhibitions, and education… Continue reading Instagram takeover: VOID
Notes on Queering the Collection(s) @ the ICP Library
Queering the Collection, 2019, a collaboration between GenderFail and the ICP Library from the publisher "Throughout 2018, the ICP Library collectively produced more than six in-house library installations and events considering representation in libraries at large. The success of this initiative resulted in an increase of the ICP Library’s holdings of queer, gender non-binary imagemakers,… Continue reading Notes on Queering the Collection(s) @ the ICP Library
Photo books, exhibitions & related events 2018 edition, part 1 – Peter Hujar, Oliver Wasow
Peter Hujar (1934-1987) The exhibition and catalog Peter Hujar - Speed of Life at the Morgan Library & Museum (January 26 - May 20, 2018) is an auspicious way to begin a review of the past year. The acquisition of Hujar's prints, contact sheets, and related materials by the Morgan represents the most extensive institutional… Continue reading Photo books, exhibitions & related events 2018 edition, part 1 – Peter Hujar, Oliver Wasow
Some Photobooks I liked in 2018 (Part Two)
Aleksey Kondratyev’s Ice Fishers (London: Loose Joints, 2018) is a slim and quiet edition of only fifty two pages with a one page insert of colophon and text. The images are placed on such a perfect whiteness that it is hard to know what we are looking at first. The narrative is that for… Continue reading Some Photobooks I liked in 2018 (Part Two)
Some Photobooks I liked in 2018 (Part One)
I haven’t produced one of these types of list for a few years now and this year. . . This year it just seemed right to do so again and so I have selected some of my personal favourites for your perusal. My selections are my own and I share them here with you, in… Continue reading Some Photobooks I liked in 2018 (Part One)
OMG, Bring a Book! The Library Goes to Critical Jamming
Yours truly and ICP Head Librarian and Archivist Matthew Carson participated in the recent panel From X-Files to The Matrix: Reality Disintegrated, held on Sunday, March 4 at the ICP Museum. In the words of organizer Claudine Boeglin: The 90s. It was an era of hope bracketed between the fall of the Berlin Wall (1989)… Continue reading OMG, Bring a Book! The Library Goes to Critical Jamming
Stephen Grebinski, Keyed to Masculine Comfort, 2015
Faced with the excess and diversity (where to start?) of publications in Queering the Collection, currently installed in the ICP Library, I was happy to find (& just by judging a book by its cover) a familiar name: Stephen Grebinski. This past fall at the Art Book Fair at P.S.1 I bought one of his… Continue reading Stephen Grebinski, Keyed to Masculine Comfort, 2015
anybody’s image could become everybody’s image: an interview with Mariken Wessels
Mariken Wessels spoke with me about her work and evolution as an artist. Here is our conversation: epd: When did you start making visual art works, and how did you start working with found materials? MW: Before I moved to Amsterdam to attend the Theater School I was already taking photographs. In the southern Dutch… Continue reading anybody’s image could become everybody’s image: an interview with Mariken Wessels
“I am in Paris.”
Following conversations with my colleagues at the ICP Library about an event related to our current photobook display Je est un autre: The Vernacular in Photobooks, I decided to present selections from a small collection of films stills I accumulated in the 1980s when I worked at movie revival houses and non-profits in NYC. Calling… Continue reading “I am in Paris.”