Photobooks by their very nature are collaborative endeavors. On their most basic level they involve a photographer and a printer. More often than not, they also engage a collaborative dialogue with a designer. During the 1960s in Japan, as traditional artistic boundaries blurred to form truly interdisciplinary creative think tanks, photographers such as Daido Moriyama,… Continue reading Collaborations in Japanese Photobooks: Shuji Terayama, Tatsumi Hijikata and Kazuo Ohno
Monsters & Madonnas 