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ICP Library
- (Pssst— we got centerfolds in the library! The password is “Nayland”) twitter.com/naylandblake/s…just observed 4 days ago
- @mconlan1942 Hi Michael, do you have an email address to contact you about a possible connection to a photo book? b… twitter.com/i/web/status/1…just observed 1 month ago
- The strength of Maier’s character is found in the persona looking back at us. There is little compromise; and ironi… twitter.com/i/web/status/1…just observed 1 month ago
- “She is alone in her reflections. Her viewpoint difficult to judge, no hint of emotion or reaction. Never a portrai… twitter.com/i/web/status/1…just observed 1 month ago
- monstersandmadonnas.blog take a look at our latest post on our blog, Monsters and Madonnas about selfies, from Vivia… twitter.com/i/web/status/1…just observed 1 month ago
- @writestatements I’m not saying she’s an ~artist~ but I’m looking at it in relationship with Vivan Maier’s self-po… twitter.com/i/web/status/1…just observed 2 months ago
- @writestatements Feet all togetherjust observed 2 months ago
- Beyond "it's narcissistic" what does everyone think about Kim K.'s photobook?just observed 2 months ago
- ::hrrrgggg:: https://t.co/arY3WTnSy2just observed 2 months ago
- Vivian Maier, spread from Self-Portraits. Working on a post on reflective selfies. With bonus kitties :3 https://t.co/ZEgcoV2s1Kjust observed 2 months ago
- Please subscribe the the ICP Library’s semi-regular newsletter “Vreeland Memos” featuring experts of photograph and… twitter.com/i/web/status/1…just observed 2 months ago
- Mick Jagger, 1969, Sir Cecil Beaton. “Just as Mick Jagger, for me, was the creature of the sixties, Bardot was… twitter.com/i/web/status/1…just observed 2 months ago
- "Working at the ICP Library is a gift that keeps on giving. Not only am I surrounded by the canon of photography fr… twitter.com/i/web/status/1…just observed 3 months ago
- Guess the artist book: 650 0Artists' books ǂz France. 650 0Vernacular photography. 650 0Portrait photography. 650… twitter.com/i/web/status/1…just observed 4 months ago
- RT @bijutsu1: 【ご案内 information of WEB】続けて失礼します m(_ _)m。海外の動物ビデオ専門のサイト The Dodo さんにも取り上げていただいていました。フォロワーの皆様の情報のお蔭です。ありがとニャ (^o^)／ Thank you…just observed 4 months ago
- Today we joined Jaqueline Mabey in a guided meditation and lecture on identity care and community 💫✨ https://t.co/Y5Pz12mCbqjust observed 4 months ago
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- Arne Svenson - "Mrs. Ballard's Parrots" 650 0Animals as actors ǂv Pictorial works. 650 0Zines ǂx Archival resource… twitter.com/i/web/status/1…just observed 4 months ago
- During an exhibition in Rome in 1973 Jannis Kounellis called to Apollo, lit an match and lasted it in a book, and n… twitter.com/i/web/status/1…just observed 4 months ago
Tag Archives: Yoshihiko Ueda
Japanese Photobooks at the ICP Library: Revisited
Photobooks are like candy. Temptation is constant. And, if you don’t watch out, your bookshelves begin to bulge and overflow. This necessitates the unpleasant task of making more space for new acquisitions – a process that often requires picking and … Continue reading
Posted in Exhibitions, International, Seen and heard, Unpacking the collection, Visual Research
Tagged 10x10 Japanese Photobooks, Akio Nagasawa, At Home, atsushi fujiwara, Contemporary Japanese Photobooks, Eikoh Hosoe, España Grand Tarde, Ferdinand Brueggemann, Hot Days in Camp Hansen, ikko narahara, Japanese Photobooks, Japanese Photographers, Jun Abe, Koji Onaka, Laurence Vecten, Line 13, Machi, Mao Ishikawa, Masafumi Sanai, Nina Poppe, Orie Ichihashi, Pylon, Remi Coignet, Rinko Kawauchi, Super Labo, Takashi Homma, Tomoka Aya, Yasunori Hoki, Yoshihiko Ueda, yoshiichi hara, Yuhki Touyama, Yutaka Takanashi
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Ten photobooks from 2013
There are other great photobooks. Of course there are many others, and my colleagues have selected some of them and therefore I felt that I didn’t have to. Then again there is also a little duplication. So here we … Continue reading
One Hundred Stonewares
One Hundred Stonewares (ICP Library call #: TR656 .U431 2008) From the Collection of The University of Tokyo, Photographed by Yoshihiko Ueda and Edited by Yoshiaki Nishino This is one of a series of, I think, 3 books from the … Continue reading
