Tag Archives: Flamenco: Dance Class

The good singing hurts, but with the lights on it’s less dangerous

Posted on February 8, 2016 by Emiliano Cavicchi

grunge and classical, flamenco and ballet | Photography & Music | Dukes are dead, long live the Dukes It was just his birthday few … Continue reading →

Posted in artists' books, Exhibitions, Visual Research | Tagged A Chronicle of the Seattle Music Scene, alberto savinio, ballet, Bazillion Points Books, Berlin Philarmonic Orchestra, Berliner Philharmoniker, bleach, bodies, body, Bruce Pavitt, bruno ganz, carla fracci, Carla Fracci: Immagini 1996-2005, Charles Peterson, classical, claudio abbado, Claudio Abbado. Fare musica insieme, Contrasto Agency, Contrasto editore, Contrasto/Magnum photos, Cristina Prado Carrasco, dance, dancer, dancing, Das Zusammenmusizieren, david bowie, El Albaicín, El Cante Bueno Duele, El Cante Jondo, Elke Stolzenberg, Emiliano Cavicchi, EXPERIENCING NIRVANA, expression, flamenco, Flamenco: Dance Class, Gilles Larrain, Granada, grunge, guitar, Ian Fraser “Lemmy” Kilmister, Javier Serrano, José Lamarca, kurt cobain, Kurt Cobain: Montage of Heck, La Scala, Le Lettere editrice, lemmy, lena herzog, live, lucia baldini, Manuela Rios, Masayoshi Sukita, mick rock, modern rocks gallery, Moraíto Chico, morrison hotel gallery, Motörhead, mudhoney, music, music photography, nirvana, Noor agency, opera, Opera di Firenze/Maggio Musicale Fiorentino, pep bonet, Periplus Publishing Ltd London, photography, Portrait of a Symphony Constantine Manos, Prohibido el Cante. Flamenco y Fotografía, punk, punk-rock, rock, rock concert, rock photography, screaming life, stage-diving, steve double, sub pop, tablao, tad, Taschen, TAUROMAQUIA: the art of bullfighting, theatre house, touch me I'm sick, Tracy Marander, Yaelisa | 1 Comment