Farah Al Qasimi. Body shop. Brooklyn: Silent Face Projects; New York: Dashwood Books, 2017 RARETR681.W6.Q28 2017
Fiona Rogers and Max Houghton (eds). Firecrackers: Female Photographers Now. London: Thames & Hudson, 2017. TR681.W6 R643 2017
Naomi Rosenblum (ed). A History of Women Photographers. New York: Abbeville, 2000. RARE TR15.R67 2000
Gulnara Crist Samoilova (ed). Women Street Photographers. Munich: Prestel , 2021. TR659.8 .W6 2021
Alessandra Sanguinetti. Las Aventuras de Guille y Belinda y el Enigmatico Significado de sus Sueños. Buenos Aires: Dilan Editores, 2008. RARE TR681.G5.S26 2008
Constance Sullivan (ed). Women photographers. New York: Abrams, 1990. TR650.W65 1990
Carrie Mae Weems. Constructing History: A Requiem to Mark the Moment. Savannah: Savannah College of Art and Design, 2008. TR647.W44 2008
Carmen Winant. My Birth. London: SPBH Editions; Ithaca: ITI Press, 2018. RARE TR681.P67.W5636 2018
Martha Naranjo Sandoval is an artist and photo book person from Mexico City. Her work focuses on the materiality of image; in the difference between how time is portrayed in moving and still image; and in how images gain significance culturally. She runs Matarile Ediciones, a small publishing company focused on artists who are immigrants. She works at the ICP Library and at Dashwood Books.
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